The “future” right here is definitely a few time zones: 2039, when the primary a part of a multipronged assault on the world (environmental, terrorist, viral) begins; and 2099, when expertise has wrought a form of resurrection for these fortunate sufficient to outlive.
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Flynne’s first headset expertise takes her deep into the latter, although she’s in Burton’s bodily type. She assumes it’s merely a digital avatar, albeit one with wonderful haptics that enable her to really feel her atmosphere, and her (or his) physique. But it surely quickly turns into clear that this physique really exists – it’s 3D printed and natural, slightly just like the hosts in Westworld, and it’s the “peripheral” of the title – as does the world into which she’s stumbled.
What’s extra, the piece of business espionage by which she has change into entangled – imagining it was not more than a recreation – has real-world penalties too, in her time zone in addition to the longer term.
In case your head is reeling from this temporary potted description, that’s most likely because the present’s creators would have wished. It’s a mind puzzle, a maze (there’s that Westworld echo once more), by which the true and the fabricated are fully enmeshed. It’s the type of storytelling that calls for effort; whether or not it rewards it, I truthfully can’t but say.
